Ballyshannon Drama Society shall return to the stage once again in the autumn with the hilarious Irish comedy ‘A Wake In The West’ by M.J. Ginnelly. After a life devoted to drink, it is no surprise that Tom Healy’s final wish it to be buried in the drink – at sea that is. The neighbours, one by one, pour into Healy’s front room to ‘pay their respects’, though not all come to pray…
Meeting, Tuesday May 20th, 8.30pm
There will be a meeting of the Ballyshannon Drama Society on Tuesday May 20th at 8.30pm in the Abbey Centre to discuss plans for the autumn production and the One Act Finals.
Sinead Luke Wins All Ireland Scholarship to Gormanstown Summer School, Rachel O’Connor Nominated for Best Actress
Congratulations to Sinead Luke on winning an All Ireland Scholarship to Gormanstown, and to Rachel O’Connor on receiving the nomination for Best Actress!!!
Congratulations to Corn Mill Theatre Group on winning First Place in the All Ireland with ‘The Devil’s Ceili’, and for those of you who missed it the first time you can see the award winning show in the Abbey Theatre as they also won the Abbey Theatre Award, another fantastic and well-deserved honour.
Second Place: Bradan, ‘Who ‘s Afraid of Virginia Woolfe?’
Third Place: Prosperous, ‘Boeing Boeing’
Full list of Awards:
RTÉ All Ireland Drama Festival Perpetual Trophy
Corn Mill Theatre Group
Miniature Festival Trophy For Best Director
Ronan Ward – Corn Mill Theatre Group
Best Actor (Miniature Festival Trophy)
Pádraig Broe as Thomas Dunne – The Moat Club, Naas
Best Actress (Miniature Festival Trophy)
Helena Stout as Martha – Bradán Players
Best Supporting Actor (Aileen Coughlan Memorial Award)
Martin Fitzgerald as Alfieri – Thurles Drama Group
Best Supporting Actress (Joan Walsh Memorial Award)
Michelle Reade as Honey – Bradán Players
Best Stage Setting (Colm Kelly Memorial Award)
Prosperous Dramatic Society – ‘Boeing Boeing’
Best Lighting (ESB Award)
Lianne O’Shea – The Moat Club, Naas
Best Stage Management (Brendan O’Brien Memorial Award)
Eugene ”Loui” Finnegan – Corn Mill Theatre Group
John Butler Scholarship to D.L.I. Summer School
Lisa Moorhead – The Moat Club, Naas
Drama League Of Ireland Summer School Scholarship
Ailish Rafferty – The Moat Club, Naas
Gormanstown/Gaiety Scholarship
Sinead Luke – Ballyshannon Drama Society
RTE Fair City Award
Michelle Reade – Bradán Players
The Abbey Theatre Award
Corn Mill Theatre Group
All Ireland Awards Ceremony
Best wishes to Ballyshannon Drama Society, sitting with fingers crossed in the All Ireland Awards Ceremony in the Radisson Hotel, Athlone.>
Ballyshannon Shatter Myth in Athlone
Report on Dr. Russell Boyce’s adjudication taken from dramafestival.ie:
There’s a myth that Neil Simon’s plays don’t work on this side of the Atlantic. But All Ireland Drama Festival adjudicator Russell Boyce said it was nice to see how Ballyshannon Drama Society’s production of “The Gingerbread Lady” shattered that myth.
He so much loved the detailed set constructed by the Ballyshannon crew that he asked the audience to think especially of those who had spent the winter months building the stage with its fireplace and recessed window, and sourcing furniture and props, including the piano and radiogram (which he told the younger members of the audience was the 1970s equivalent of the MP3 player). It’s quite a while since he had seen a box set, but this was a lovely set for this play to work, gloriously old fashioned but also gloriously right. It was neatly constructed, clever and used well, with the furniture creating identifiable acting areas.
Dr Boyce had two general points to make about acting. He admired the level of vocal projection used by the entire cast. While the BBC is taking a hammering because the audience can’t understand what the actors are saying in their new production Jamaica Inn, he said there was no mumbling to criticize in the Ballyshannon production.
He suggested that some of the cast could relax a little more. Some were using very small gesture patterns, and sometimes they weren’t using their arms. Usually this boils down to the nerves that feed into the shoulders, and which can cause the tension that prevents actors making a relaxed gesture, especially on the stage at the All Ireland Finals in Athlone.
Rachel O’Connor inhabited the role of Evy so well, it was hard to imagine anyone else playing the part. There was lovely, lovely strength in her characterization, and she drove the momentum of the play, particularly in the first act. She was a superbly good drunk, and showed very good use of speech tunes by not repeating patterns in the melody of her voice. Hers was a lively vocal performance.
Richard Hurst struck a very good balance as Jimmy, playing him just as Simon intended – as “probably homosexual.” It was so right that Jimmy didn’t play the part in a big, camp way. Richard’s timing was good, and his plaid trousers in the second act caught the adjudicator’s eye.
Toby was played in a nicely natural way by Trisha Keane, who beautifully handled Toby’s mixed emotions, especially when she related story of her forthcoming divorce. While her performance was natural, her hair – in true 1970s style – didn’t move at all and was admirably more hairspray than actual hair.
Sinead Luke was suitably young to play the role of Polly, and struck a nice balance between the necessary subservience required by Evy’s daughter, and the argumentative side and the strength that comes through in the second act. She was vocally very good.
Anne McHugh’s direction was very clever, and her spatial awareness was impressive, because characters may need to be close to each other or further apart, depending on the circumstance. But most of all, she managed the emotional changes within the play very well indeed. Although some of the language roots the play very much in the 70s and some of it could even be uncomfortable to a 2014 audience, Anne McHugh made it relevant.